Essence and specificity of " aesthetic ". The dialectic of object-subject aesthetic relations in development. Basic interpretations. Modern understanding of the dialectic of aesthetic relations as a mobile, open equilibrium system.
Aesthetic categories are metacategories. The main aesthetic categories and art. The categories “ integrity ”, “ harmony ”, “ measure ”, “ proportion ”, “ rhythm ” in the history of aesthetics and architecture. Aesthetic categories in design. Their modern interpretation.
Integrity, harmony, measure, rhythm - the aesthetic principles of shaping. The aesthetic principles of shaping are the fundamental and universal principles of shaping. The peculiarity of the "work" of the aesthetic principles of shaping in architecture and design. Aesthetics of the Universum (nature, society, culture, art) and perspective tasks of architecture and design.
Harmony, integrity, humanity, rhythm, measure, ideal are the criteria of aesthetic value orientation.
Aesthetic principles of shaping and aesthetic categories: beautiful, ugly, sublime, vile, tragic, comic, etc. and their special manifestation in architecture and design. Aesthetic principles of shaping and their value-information capabilities.
Composition. Architectural design composition - as integrity . Work on the architectural, design composition as a complex of interrelated tasks: aesthetic, artistic and imaginative, engineering and constructive, functional-technological, economic, environmental, socio-cultural, and so on.
Comprehensive interconnection in design - harmonization into a holistic composition of various, conflicting tasks. Interconnection - as an aesthetic task. Interconnection - coordination and finding the appropriate measure of harmony (unity) and integrity in the composition. Integrity and "beautiful".
Composition is the most important factor in the artistic expressiveness of architecture. The original elements of the volume-spatial composition: geometric appearance, position in space, size, mass, texture. Artistic and expressive capabilities of the elements of the composition.
The specificity of the expressiveness of the main types of volume-spatial composition - frontal, volumetric and deep-spatial.
Organization of elements of architectural, design composition based on harmony.
Harmony is the most important artistic and expressive language of composition. The artistic language of harmony in the history of architecture. The versatility of the "work" of harmony in architecture. Value diversity of its meanings and meanings. Harmony as an expression of stability, stability, reliability, balance. Modifications of this information in the history of architecture.
The main means of compositional and holistic solutions: rhythm, proportion, scale, identity, nuance, contrast, symmetry. The aesthetic and artistic nature of composite media.
Symmetry is a means of harmonizing a work of art, a kind of artistic generalization. Symmetry and asymmetry in architecture. Symmetry and functional properties of architectural structures.
Symmetry and shape of ornaments. Symmetry and compositional identity of elements of an architectural, design object.
Measure. Measure is a fundamental and universal form principle.
Measure - the aesthetic principle of shaping in architecture and design. Measure as an expression of certainty, integrity and relative stability of an architectural and design object.
Measure - the limits of the quality of the architectural, design object in its development and self-development. Measure - aesthetically significant assessment.
Measure - regulatory, regulatory principle of architectural, design creativity.
The measure is the standard of perfection, the optimal manifestation of artistry in an architectural, design object. Measure - the most important tool of artistic expressiveness of architectural, design creation. The diversity and variability of the expressiveness of the measure. Measure - an expression of stability, strength. Modifications of expressiveness measures in the history of architecture. The organic connection measures with harmony, integrity.
Measure as the value of proportions and rhythm in space and in time.
Rhythm. Rhythm is the fundamental principle of shaping. Rhythm is the aesthetic principle of shaping an architectural, design creation. The universal nature of stable rhythms and their similarity in architecture. The rhythm in architecture is the organizing force of the laws of qualitative changes and the development of architectural volumes or elements or intervals between them. Meter - a private version of the rhythm.
The organization and combination of elements in the structure. The impact of rhythm on humans. Value informational possibilities of the architectural rhythm. Rhythm in three-dimensional composition and the formation of a silhouette. Rhythm and expression of the dynamics of architectural forms, directions of movement. Variations of rhythm expressiveness in the history of architecture.
The expression of the nature of the expression of directionality and the nature of the movement, the expression of the natural feasibility of building structures; rational distribution of supports, etc. The rhythm in architecture and beautiful, expressive form, harmony, organization, stylistic unity and integrity. Simple and complex rhythms and their artistic expression.
The rhythms of nature and the rhythms of architectural forms. Architectural rhythms and the initiation of various states of man. Rhythm as a function of the dismemberment and integration of aesthetic impressions. Art rhythm in architecture. The artistic composition of architectural rhythms: the beginning, end, culmination center and development.
Rhythm in art and order, orderliness, measure .
The organic unity of the fundamental and universal aesthetic principles of shaping.
The artistic image is the most important element of architecture . The artistic image is an attractor of architecture and a design object.
The artistic image of architecture and professional mastery of the system of aesthetic principles of shaping and a set of expressive, that is, artistic means and techniques.
Work on the artistic way - the process of creative development from the external content of the architectural object to the internal; from content to form of architectural creation - from internal to external.
External content - the theme of creativity of the architect. Theme - the foundation, the foundation of the artistic image. The theme is a crossroads- meeting of O and S , the Cultural Environment and the creative personality. The topic is objective information for creativity. Theme and Cultural Environment. The theme and bifunctional architecture and design. Creative development of a place for an architectural object. Principles: "do no harm" and "be like."
"Natural" themes and places. Creative work on the project's theme is a manifestation of the architect’s personality, her spirituality, professionalism, and morality .
The plan is a conceived action plan of activities, intentions. The idea is the result of the creative process of processing the object and revealing in it the general and individual, coloring the emotional-rational inner world of the artist.
Internal content. Internal content - the essence of the project.
An artistic idea is the essence of an architectural, design creation. Spirituality is the main thing in an artistic idea. An artistic idea is a leading trend organizing the entire artistic structure and system of an architectural, design object. The artistic idea is the “super task” of creativity (KS Stanislavsky). An artistic idea is an author's thought, its creative concept. Principal conceptual architecture.
Paphos - the emotional and aesthetic evaluation by the artist of the idea, process and results of creativity. Paphos - “the dominant structure of the senses” in a work of art (F. Schiller). Paphos - the sincerity of the artistic image.
Inner form - composition. Composition - organization, structure, expressing the orderliness and artistic meaning of creation. Composition - is the law of the construction of artwork. Composition - the relationship and combination of the laws of harmony - symmetry or asymmetry, proportion, rhythm, measure.
Creative concept of architect and composition. The composition is a professional solution of organic integrity. Principles of implementation of the compositional law - harmony, rhythm, measure. The quality of the architectural composition is an organism (Le Corbusier). Professionalism, creative individuality of the architect, designer and compositional solution.
Architectural styles and their compositional techniques.
External form - the language of art. The external form is the artistic language of the composition . External form - material for the implementation of creative concepts, artistic ideas. Creativity and professionalism in the choice of material. The external form is a set of artistic techniques and means for expressing compositional tasks.
Each art form has its own artistic language. The history of the accumulation of artistic language. Cultural environment and choice of artistic language.
Artistic language of architecture . Architectural professional expressive language and the language of other arts.
The architectural form is a peculiar and professional value-expressive language. The “carriers” of the expressive information of the architectural form: surface, space, volume (mass).
The size of the form and its artistically expressive possibilities.
Weight. Mass is a form property based on associative perception. Artistic expressive means of mass. Massiveness, material, color, texture.
Texture is one of the means of artistic expression. The perception of the texture and position of the recipient.
Artistic and expressive possibilities of light and shade. The historical diversity of expressiveness of light and shade in architecture. Game of light and shade
Color is the most important artistic expression of the architectural form. Experience in the use of color in the history of architecture. Modern possibilities of “working” colors on the information-value expressiveness of the architectural form. This especially applies to spatial compositions. With the help of color you can illusoryly expand the space, create a feeling of spaciousness or vice versa.
Tectonics - artistic and figurative design of the material.
Tectonics is the expedient organization of the structure of the architectural image in accordance with the constructive system of the structure.
Architectonics - the artistic expression of the laws of the structure; the ratio of load and support in the design. The change of the cultural environment and the history of tectonics, as the reception of architectural art. The artistic expressiveness of the classical Greek order. The artistic tectonics of the Gothic. The originality of the art of Renaissance tectonics. A special artistic version of Baroque tectonics. Graphic tectonics of classicism. Artistic expressiveness of frame and hinged structures.
Proportion is an artistic tool in creating an architectural form.
Development of the aesthetic foundations of proportions.
Proportion, harmony, beauty. Historical experience of artistic expressiveness of proportions in architecture.
Plastic - an expressive artistic tool. Plastic is directly accessible to living contemplation. Plastic form, plastic content of the architectural, design object. Plastic static and dynamics of the architectural form.
Artistic techniques and tools used by architecture: pathos, climax, ambivalence, grotesque, montage, metaphor, allusion, laconicism, contrast, allegory, nonsense, etc.
Architect- "classic" and role models. The project “classics” and the artistic language of architecture: typification, idealization, stylization, expression, metaphor. The project “postmodern” and its artistic language: grotesque, contrast, montage, “alienation”, nonsense.
Modern architect, designer and a huge archive of artistic images. Architect, designer and free-creative orientation in various forms of art. The creative problem of the choice of material and artistic expressive means. The discovery of new expressive means of architecture, design.
Artistic language of architecture and uniqueness, originality, “its own face” of the project.
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