Fracture in society, in culture, in art from the second half of the 20th century. The culture of the XX century - the culture of " avant-garde - modernism - postmodernism ". Novelty is the attractor of self-education of the “postmodernism” system. A decisive breakthrough to the principled novelty of the mid-20th century
"Bankruptcy" of the European system of values.
Formed a new man. A qualitative change in his psycho-mental structure, the psychology of perception, the psychology of response, the psychology of behavior. New psychophysiological reactivity. Change of vectors of social and physiological orientation.
Changes in the value attitude to the individual , her self-awareness. Root scrapping of traditional, classical moral guidelines. "The man is dead."
The world outside man is “not by the standards of man.” Other scales of his space-time representations. New attitude to time. New speed performances. Increase the rhythm of life.
Dominance of interpretive thinking.
The world and its fragmentation, mosaic, randomness.
The state of bifurcation and the choice of a new path of development. From the classical culture of the beginning of the 20th century to the “ non-classical culture ”, “ non-traditional culture ”, and “ non-culture ” of the second half of the 20th century.
Aesthetic culture is the process of transition from the "classic" to the "nonclassic". Rethinking the main aesthetic categories. The problem of tradition and innovation, traditions and innovations. The main causes of pluralism in the field of aesthetic teachings and trends in art. The pragmatic nature of aesthetics. Aesthetics "bottom" and aesthetics "top."
Aesthetic theoretical tradition until the middle of the XX century: neo-Thomism, existentialism, intuitivism, personalism, Freudianism and post-Freudianism. Aesthetic concepts of neopositivism and pragmatism. Constructivists and their ideas about the "link" of art with the production of goods utilitarian use. The dream of habitat conversion. Architectural and design projects, artistic design experiences.
The aesthetic culture of the first half of the 20th century and the art of abstract art, surrealism, absurdity, pop art, op art, kitsch.
Scientific and technological revolution and "technocratic" and "technophobic" concepts in the field of philosophy, ethics, aesthetics and artistic creation.
Aesthetic ideas of architecture of the XX century. Approval of the design. German design (Bauhaus, Werkbund) and its aesthetic ideas. Aesthetic views of V. Gropius. Aesthetic problems of architectural functionalism. Aesthetics Le Corbusier. The problem of form and function in architecture. Aesthetics and principles of organic architecture. The main directions and styles in the development of architecture of the twentieth century. Architectural bionics, its aesthetic aspects. Aesthetic aspects of landscape architecture of the XX century. NTR and architecture. Aesthetic tasks of high-tech architecture.
Aesthetic culture "nonklassiki." Decisive rejection of classical rules and canons. The rejection of classical rationalism. "Openness" to the irrational.
Criticism of all forms of monism; all universal knowledge, fundamentalism, dogmatism and unequivocal determinism. Criticism of a single universally binding theory-utopia and all forms of despotism.
Waiver of classical terminology. Creating a dictionary of "postmodernism": rhizome, simulacrum, and so on.
Proclamation of multiplicity, diversity, paradigm competitiveness. Promoting the diversity of life projects.
Interest in marginal entities and phenomena. Epatating "spirit" of postmodernism.
Postmodernism and virtual reality.
The main principles of the culture of "postmodernism" - paradox, irony, play, quotation, sarcasm.
Postmodern artist . The rejection of the classic value settings. "Care" from the manifestation of the personal "I". The irony to the world, the irony to yourself. " Openness " of the artist in the world.
Creative mind, " playing with meanings." "Jazz improvisation" of creativity. Jazz improvisation of creativity and sensitive feelings, the intuition of the artist.
Creativity - by chance, momentarily. Creative reception - collage, klipovost. Creativity as an art action, "action".
Art is momentary without claims to eternity, importance, universal significance.
Artistic image and "simulacrum."
Aesthetic principles of shaping in the postmodern. The fundamental impossibility of integrity. Rhythm - hard, aggressive. The rule of dissonance, disharmony.
The architecture of "postmodern" and its aesthetic and artistic tasks.
The culture of “postmodernism” is a culture of transition.
The culture of the end of the 20th century as a complex, open, voluminous, non-equilibrium system. The coexistence of "classic" and "nonklassika."
Forming a new picture of the world - "synergist". Synergetics is a methodological basis for considering the Environment, nature, creativity, the artist’s culture, and art.
Synergetic worldview and perspectives
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